Ebook In My Brother's Shadow: A Life and Death in the SSBy Uwe Timm, Anthea Bell
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In My Brother's Shadow: A Life and Death in the SSBy Uwe Timm, Anthea Bell
Ebook In My Brother's Shadow: A Life and Death in the SSBy Uwe Timm, Anthea Bell
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A renowned German novelist's memoir of his brother, who joined the SS and was killed at the Russian front.
Uwe Timm was only two years old when in 1942 his older brother, Karl Heinz, announced to his family he had volunteered for service with an elite squadron of the German army, the SS Totenkopf Division, also known as Death's Heads. Little more than a year later Karl Heinz was injured in battle at the Russian front, his legs amputated, and a few weeks after that he died in a military hospital. To their father, Karl Heinz's death only served to immortalize him as the courageous one, the obedient one, the one who upheld the family honor. His childhood was marked by the mythology of his brother's lost life; his absence-the hole he left in the family-just as palpable as if he were still alive. His mother's sadness and his father's rage over the loss of Karl Heinz ultimately defined Uwe's relationship with his parents. But while they eulogized the boy, Uwe wondered: who really had his brother been?
The life and death of his older brother has haunted Uwe Timm for more than sixty years. His parents' silence was one of the most painful aspects of his family history. Not even after the war ended, and details of unspeakable horrors emerged, did his parents ever acknowledge Germany's guilt and Karl Heinz's role in it. They simply said: We didn't know. After the deaths of his parents and older sister Timm set out in search of answers. Using military reports, letters, family photos and cryptic entries from a diary his brother kept during the war, he began to piece together the picture, discovering his brother's story is not just that of one man, but the tragedy of an entire generation. In the Shadow of My Brother is a meditation on German history and guilt, one that is both nuanced and measured.
- Sales Rank: #1182324 in Books
- Published on: 2005-04-20
- Released on: 2005-03-31
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .77" w x 5.82" l,
- Binding: Hardcover
- 160 pages
From Publishers Weekly
A memoir not of a brother but of his absence from the author's life and family, Timm's book revolves around memory--of how traces of his brother, an SS corporal killed in Russia in 1943, are tied up with aspects of WWII that still remain unspeakable for many Germans. Timm was two when his brother Karl-Heinz enlisted, at age 18. Using diary entries from a book Karl-Heinz kept at the front, family recollections and his own experience growing up without his brother, Timm works through, beautifully, his sense of an unknowable figure who, 60 years later, continues to loom large in his consciousness. At the same time, a good deal of the book goes toward unpacking the ways in which national identity informs personal identity; Timm digs into what it meant then (and means now) to have had a brother, or son, in the SS. Timm's novel The Invention of Curried Sausage was set during WWII, and this book is informed by a deep understanding of its horrors, anxieties and legacies. The translation is lyrical if occasionally awkward ("In the coffee break I went to the lavatory"); the whole compellingly scales a nation's failure down to the level of a nuclear family.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Timm's reputation as a gifted literary portrait artist is by now well established outside of his native Germany, and his narratives of moral (and occasionally existential) ambiguity have likewise frequently transcended geographical and historical circumstance. His latest book, ostensibly a memoir of his older brother, an SS soldier killed on the Russian front, dares to be as anthropologically illuminating as it is intimate. Praised by their father for his bravery, Karl Heinz was the boy who told no lies, was always upright, shed no tears. His war diary, a quiet testament to the banality of evil that speaks matter-of-factly of combat but only alludes to "the cruel things that sometimes happen," only intensifies Timm's curiosity. A stubborn father and survivor mother, shadows in their own ways, are portrayed tenderly but without much sentiment; their presence rounds out this book's philosophical exploration of courage in its various manifestations. But, always aware of "the danger of smoothing it all out in the telling," Timm leaves powerfully open the question of whether it is more courageous to write or to be silent. Brendan Driscoll
Copyright © American Library Association. All rights reserved
Review
"With piercing intelligence, . . . history and private life [are] interfused utterly by a master writer in a way at once authentic, unpretentious, moving, and of extraordinary significance." --Kirkus Reviews
"This masterful book is autobiographical. It delves into the lives of the author's family, father, mother and sister, during the Nazi years and the Second World War. But essentially it is about his older brother who joined the SS, the Storm Troopers with the skull and bones on their black uniforms. It does not take long, however, before the young man is sent to war and killed on the eastern front.
Up to this point the story is among thousands. What makes it unique and a bestseller in its original German version is the narrator's painstaking reconstruction of this life on the basis of a few letters, a few diary entries, a few photographs and his own desperate memories. On such scanty evidence he probes into the family dynamics, the movitves for his brother's involvements with the most aggressive of Nazi organizations and the signs of his early disenchantment. Deeply affecting are the narrator's speculations about his own vulnerabilities and his hypothetical attitudes towards the regime, had he been old enough to be confronted with any decisions, questions all Germans, nay, all persons living in a country with an army should ask themselves." --Egon Schwarz, Distinguished Professor in the Humanities, Washington University
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